When it involves Disney villains, nobody can match Ursula. But what makes the Sea Witch so special? How did she escape the shackles of villainy to develop into more of a cultural icon than a mere villain?
Ariel (L) and Ursula in “The Little Mermaid” | Disney
Melissa McCarthy takes on the long-lasting Sea Witch in a live-action remake Little Mermaid, Ursula is back within the highlight picking up well-deserved flowers. While Disney has created some notable villains through the years – from Jafar and Gaston to The Witch and Captain Hook – Ursula reigns supreme. And yes, we’re answerable for the ostentatious and cunning Scar (which undoubtedly takes second place).
But what about Ursula makes her so special? How does she stay timeless – relevant with each passing decade – becoming less of a villain and more of a beloved heroine with recent generations?
Ursula is uncompromisingly herself
Ursula can select any look with just a little magic. Make a potion within the cauldron and boom, she becomes Vanessa – with an hourglass shape, long luscious curls and seductive eyes. However, Ursula opts for eight octopus tentacles and hyper-expressive makeup, as does the late drag queen Divine.
He chooses a full form, which he proudly walks through his lair of evil with an air of condescending superiority. It is delicious. Unlike many Disney villains who boast angular bone structure and a size zero waist (we’re you Maleficent), Ursula’s body proves in itself that you simply do not have to be skinny to be sinister.
You do not have to be thin to prove your strength. Weakness (*coughs *coughs Scar) should not be synonymous with a cunning mind, as if being thin meant ravenous for dominance. Such visual evidence of desires and qualities faded as Ursula approached the plate, or moderately swam to the reef? Ursula proves that while Ariel may look and demurely seem like a princess, she has the presence and disposition of a queen.
Ursula is sort of fair in her negotiations
He’s not attempting to kill to achieve power or steal someone’s biggest love. She’s just attempting to negotiate her option to what she wants. She makes a take care of Ariel: her vote for a pair of legs.
He watches Ariel sign the contract, and Ariel knows what he’s entering into. The princess could also be young – and just a little bored with her controlling and domineering father – but she’s not silly. So when Ariel tries to back out of the deal and Ursula comes after what’s rightfully hers, who’s really unsuitable?
When it involves legality, Ursula is true. When it involves evil scheming, it is not too ruthless or unfair. How many villains approach their schemes from such a sound (too strong a word?) viewpoint? Yes, she’s attempting to get to Triton, but her approach is clever and a bit civilized for a villain.
She was supposed to share the throne along with his brother King Triton after his father’s death
As we all know, Ursula was a bit nasty (which she admits) up to now, but her story is greater than that. Triton (her brother) banished her after some maniacal misbehavior with the dark arts. Their father wanted the siblings to rule the seas together, but Triton took full control of the dominion they were to share. How Screen rating notes, she tried to make use of magic to take over the throne, so her banishment might be considered deserved.
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Though Ursula tried to take the throne for herself, Triton responded to her riot in an analogous way, becoming the only real ruler of the ocean. If Triton was a full-fledged Disney hero – the sort and empathetic ruler that “good guys” must be – he must have been an even bigger person. He must have found a option to punish her by doing his father’s will. Instead, he left his sister behind to plot a plan to reclaim what’s (partially) rightfully hers.
There isn’t any higher villain anthem than ‘Poor Unfortunate Souls’ from ‘The Little Mermaid’
It’s masterful and cunning. He’s poised and fun. It has every part you can want from a Disney piece. Poor Unfortunate Souls puts Ursula able of power. This is the start of her plan, and the sharp language and playful mannerisms give this song a feisty feel that we won’t help but love.
We all have just a little darkness inside us. A little bit of pettiness. A little bit of revenge. Ursula exploits this crevice in human nature that we have been told to cover, and celebrates it with full of life enthusiasm.
How are you able to not admire a girl who just isn’t afraid to own – with musical grandeur – the delicious human qualities that irritating benefactors have so adamantly renounced? Being a hero on a regular basis gets old. It’s only a matter of time before the great guy loses to the trick. Ursula lives in the true world where gray reins reign and black and white morality is for fairy tales.
